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・ Otto Schubiger
・ Otto Schuhart
・ Otto Schulmeister
・ Otto Schultz
・ Otto Schultze
・ Otto Schultzen
・ Otto Schulz
・ Otto Schulz (admiral)
・ Otto Schulz (disambiguation)
・ Otto Schulz-Kampfhenkel
・ Otto Schumann
・ Otto Schury
・ Otto Schwanz
・ Otto Schwartz Weeks
・ Otto Schwarzer
Otto Schwerdgeburth
・ Otto Schünemann
・ Otto Schüssler
・ Otto Scott
・ Otto Scrinzi
・ Otto Seeck
・ Otto Seitz
・ Otto Selz
・ Otto Sendtner
・ Otto Sesana
・ Otto Sidharta
・ Otto Siedle
・ Otto Siegel
・ Otto Siffling
・ Otto Sinding


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Otto Schwerdgeburth : ウィキペディア英語版
Otto Schwerdgeburth

Otto Schwerdgeburth (5 March 5, 1835, Weimar; 22 December 1866, Weimar) was a German painter and engraver who mainly painted historical subjects.
==Life==
Schwerdgeburth was born from the second marriage of Carl August Schwerdgeburth, a well-known engraver and painter. He was first a pupil of his father and later studied under Friedrich Preller. He then travelled to Belgium where from 1856 to 1860 he studied at the Antwerp Academy of Fine Arts.〔(Franz Vallentin: Schwerdtgeburth: Otto (Karl Friedrich Julius) ). In: Allgemeine Deutsche Biographie (ADB). Band 54, Duncker & Humblot, Leipzig 1908, p. 286 〕
The Antwerp Academy played an important role in the Belgian historical painting movement. Schwerdgeburth became acquainted with leading artists of this school of painting such as Jan August Hendrik Leys, Jan Swerts and Godfried Guffens. He lived in Guffens' home for a while.〔(R.Weigel, ''Archiv fur die zeichnenden kunste mit besonderer beziehung auf kupferstecher- und holzschneide- kunst und ihre geschichte'' ), Volumes 12-13 (Google eBook), 1866, p.122-124 〕
In Antwerp he worked from 1856 to 1558 with Jan Swerts and Godfried Guffens on murals in the restored Old Bourse of Antwerp. The murals after designs by Jan Swerts and Godfried Guffens depicted scenes from Antwerp’s glorious trading past in a style reminiscent of the German Nazarene movement. These works were later destroyed by fire but some of the designs survive through engravings Schwerdgeburth made.〔(Anna Bergmans, Middeleeuwse muurschilderingen in de 19de eeuw: studie en inventaris van middeleeuwse muurschilderingen in Belgische kerken ), Leuven University Press, 1 January 1998, p. 22 〕 Under the direction of Jan Swerts and Godfried Guffens, he also worked in 1859 together with Florens Claes on the ''The Seven Sorrows of Mary'' in the Church of Our Lady in Melsele in Belgium.〔(Omer Vandeputte, Gids voor Vlaanderen 2007, druk 1: toeristische en culturele gids voor alle steden en dorpen in Vlaanderen ), Lannoo Uitgeverij, 2007, p. 141-142 〕
He returned to Weimar in 1860 where he worked on various historical paintings. Suffering from ill health, he went to Bad Reichenhall for cures. After his health improved he spent time in Salzburg where he worked on the painting ''The Salzburg Protestants'' which he finished in 1863 after a second stay in Salzburg. This painting was very well received. He worked on other historical paintings. In order to make a painting on the execution of Andreas Hofer he travelled to Verona and from there on to Florence, Rome and Naples. He died not long after his return from Rome.〔

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